• Published on

    On Second Acts

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    I regret writing about him the way I did, here. Scoffing about his bravado for a chuckle. Shouldn't I know by now that men are among the most fragile of creatures, who at every turn are taught* they must vigorously pretend otherwise? Today I know that Anger is simply Hurt held in for too long, and that "fronting," as it were, is merely a means for concealing insecurity. 

    Four years ago, my reaction to that highly imperfect method would be to point and laugh. Isn't it so much easier to judge people when everything in your life has gone well? Ah, for the days when things were so simple.

    ---

    It is possible, sometimes, to get through adolescence without anything going hugely, catastrophically wrong in your life. (Any teenager would disagree, but I'm talking about actual major life events here.) It's even possible to make it through most of your twenties– sometimes all of your twenties– without any of your goals being sucked out from under you, without any of the irrevocable thudding blows that crush your ideas of a future with unforgiving permanence. It isn't just that life is unexpected, in the sense of the famous Yiddish proverb.**

    It's that it doesn't play by your rules.

    Eventually the realization will happen, and when the blows come along to break you, I say take your time reacting. Respond with intention. You're on the cusp of determining what may very well be the mental framework of the rest of your life. 

    "There are no second acts in American lives," Fitzgerald famously wrote, foolishly (he would later retract the statement). The question of who you'll be in your Second Act is less a question of what you do than how you think

    Revered philosopher-filmmaker Terrence Malick pointed out in a 1979 Sight and Sound interview, "
    The movies have kept up a myth that suffering makes you deep. It’s not that way in real life, though, not always. Suffering can make you shallow and just the opposite of vulnerable, dense."

    How you choose to address the hurt, the vulnerability, the confusion... These are the quandaries for which there are as many solutions as there are people. Some become bitter, nursing a grudge against the world. Others turn their hatred inward. Still others search for a lightness that's stronger than the light they had before, moving toward that place where you can be at peace not knowing the answers.

    ---

    For me it was a series of calamities. You know one of them. The details matter less than the sensation; being lost in a life that was once familiar, which you used to understand but seems now to have all new rules. I don't know much, but I do know this: nothing will humble you more than having your concept of a just universe destroyed. 

    The cocksure confidence you didn't know was annoying, gone like chaff in the breeze. The grief. The grief that blinds you from what you'll realize years later, and still feel guilty admitting: this is the part where you became a better person, at the expense of stupid gigantic loss, loss for which you'd give up your newfound wisdom in a heartbeat to have redacted. Where you tried hard and succeeded without noticing. Don't I wish all those young people were still alive?

    For myself, I've become softer. More forgiving. Life is more extreme than I thought it was. All these humans are struggling just like you, to be loved, respected, to not be lonely. They struggle mightily in their imperfect ways, and they deserve to be forgiven endlessly.

    Don't get me wrong: I'm still the person I was before, who thinks the Man Game is silly, that overblown egos and pretending to be cool are a waste of time. I stand by every word of my Man Game monologue as written in the above-linked story. But the need to condescend has subsided. It's easier somehow, to understand where they're coming from.

    "Stop trying so hard, bro," I thought to myself when I saw folks like him in 2015. "Get over yourself." Now, the line in my head tends toward something like, "You don't need to try so hard, bro. You're okay just as you are." You were a child once and you have feelings and passions and hobbies, like the rest of us. You don't need to try to convince the world otherwise. 

    ---

    He got on my bus the other day, looking rather different than before. Gone was the anxious bravado; he relaxed now with an air of calm, like me, that manifested in his apparel choice as well as demeanor. Just a baseball cap and plain T-shirt today, with jeans that actually fit. He was like the young lady who used to wear a lot of makeup, who's prettier now just being herself.

    "There he is," I said.
    "Hey!" 
    "How's it going."
    He pounded my fist slowly. "You remember me?" 
    "Yeah, my buddy from California!"
    "Damn, dude," he said, pausing. His face opening up in a heartfelt grin, the sort of unironic expression that stops time, even if briefly. "Thank you, bro. Hey listen, I got a spot now. I got a job, and I got a spot, an apartment just down on uh, Cloverdale."
    "Man, I'm so happy for you! You're doin' great!"
    "Yeah, better than I was before, huh?"

    He gestured back at the middle-aged African-American woman he'd been sitting with. "S my mom. I'm treating her!"

    ---

    What was I thinking, writing him off as a caricature before? Doubting him? Even if he postured more at the time... People grow. They can be many things at once. I was grateful to learn a few more of his sides. This blog would be missing something if its only record of him was as a wannabe gangster whose most memorable trait was pretending to be from a hard neighborhood.

    Had he grown? Or was it me, learning a little more, how to see? Did we perhaps both "go through some stuff," age-alike contemporaries that we are, and come out the other end similarly chastened, humbled, and energized?

    Hopefully all of the above.

    ​--

    *For more, search out landmark feminist writer Susan Faludi's gigantic Stiffed: the Betrayal of the American Manabout society's demand that men have all the answers, know how to fix everything, be heroes, and exist above society rather than take part in it; about how nearly all men feel they cannot live up to those ridiculous demands and feel emasculated as a result; and about how feeling emasculated doesn't sit comfortably with a gender that's been taught to hide its emotions, and to pretend to not have any problems rather than dealing with them.

    **
    Mann Tracht, Un Gott Lacht. "Man plans, God laughs." 
    Best popularized by Woody Allen, who paraphrased it as, "If you want to make God laugh, tell him your plans."

    Above image: That's me in Hong Kong, circa 2011, on Nathan Road. Yes, there really is such a place!

  • Published on

    Seattle Growth Podcast Season 6, Episode 3: Nathan Vass

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    That's University of Washington Professor Jeff Shulman on the right, whose influential podcast has been featured on The New York Times, Los Angeles Times, and USA Today. Dr. Shulman interviews various local luminaries about what Seattle’s economic and population growth means to them. He's talked with everyone from Attorney General Rob McKenna to KC Executive Dow Constantine to musical artist Draze to Stu Tanquist, a resident in Tent City 7(!).

    So that's who Jeff Shulman is. You've probably heard of the guy, honestly. As for that guy on the left, I have no idea...


    Here we are chatting it up. Enjoy! 
  • Published on

    Just Sayin'

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    Just a quick note today–

    This won't always be true, but the entire current stock of The Lines That Make Us that's at Elliott Bay right now has been autographed! By whoever that is in the picture... Stop in there soon or order online for a copy signed by yours truly!!
  • Published on

    The O.G.

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    “Jus' about putting it out there,” Kendrick said, sprawled and leaning back on the empty nighttime bus chairs. “It's like, to keep it, you got to give it away. For anything, respect, money, power–”
    “Wow,” I said, slowing down a little through the S-curves. I wanted to make sure I heard his every word.
    “You gotta give it away to keep it.”
    “You gotta give it away in order to keep it. I love how you put that in words. Anything.”
    “Anything,” he murmured, enthusiastically, his shaved bald head glistening under dim fluorescents.

    “Like with love, it only works if you're giving it–”
    “If you're giving it. You gotta give it away to keep it.”
    “Man, I gotta write that down.” I said. “Seriously.”
    “Man, I want you to meet my daughters.  Ah got three of ‘em, three girls. They ain't met you yet.”
    “I wanna meet em! What are their names again, I remember Kennedy…”
    “Kennedy, yup, and Paradise, and–”
    “Yum Yum!”

    He reeled backwards a little, rich with pleasant surprise. “Yeah, Yum Yum! You remember!!”
    “Yeah, I was like, how could I forget a name like Yum Yum! How old are they now?”
    He detailed their ages– I forget who was who, but everyone fell between one and six. 
    “That's beautiful.”
    “Thank you. Ah been teachin’ em, the first thing I been teachin’ ‘em is respect. Not even earning it, just giving it.”
    “Just giving it out.”
    “To everything, life, people…”
    “That's beautiful, man. And necessary.”
    “Respect for all things. Iss key.”
    “Man, Kendrick, it's good that they got– that it's somebody like you that's raising these kids, man. What you bring is valuable.”
    “Aw, thanks, bro.”
    “I mean that. It needs to be folks like yourself that's guiding the new... It's about good parents, you know?”


    We moved on to other things. You wouldn’t guess it by looking at him, he who at first glance might be written off as “another route 7 passenger," whatever that means, or worse. A forty-something street-smart fellow in casual oversized tee and sweatpants with athletic shoes, fistbumping with his fellow OG compatriots. But everyone’s got a story beneath the surface: Kendrick’s undergraduate degree is in plant science and he used to teach horticulture in Louisiana, and now runs a landscaping business. So much for appearances…

    Our conversation tonight drifted in and out with the rhythms of the bus, went up and onward in its benevolent, ever-rising circles, but the moment of greatest import was for me the beginning. I don't recall quite how we got to whatever inspired his line. You got to give it away to keep it. It overwhelmed what had come previously, and held long after he left.

    I’d thought of the construct before, sure, but mostly only within the context of romance. Love as an act of giving. Yes. But to expand the idea to something approaching a life philosophy felt freeing in ways I hadn’t anticipated; it seemed imminently more realizable than the forever unsatisfied urge of consumption, acquisition. Buying things is stressful, and its high wears off quickly. But the karmic freedom found in helping others, serving, sharing out good feeling… 

    I’m so glad he got on my bus.
  • Published on

    Eulogy for the Damned

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    Oh, Denise. 

    No other phrase encompasses the spectrum of thoughts and feelings I have for this god-forsaken creature. She dared you to hate her, pity her, dismiss her, and love her, sometimes in a single breath. If you walked more than once through Third and Union, Third and Pine, or Third and James, you would have seen her, that wayward daughter of an outcast god, a litmus test of a person who caused in you reactions which revealed more about yourself than her.

    ---

    I once spent the better part of an hour chatting with three homeless teens. One of the things I learned was that as a homeless person, it often behooves you to lie. To pretend your circumstances are more dire than they are. 

    Housing and other services get prioritized for those with more extreme hardships, and if you tell them you're schizophrenic and bipolar, for example, rather than (or better yet– in addition to being–) merely thrown out by abusive foster parents, you're going to get a leg up. If you tell those unwitting tourists the bruises on your leg are from something truly tragic, rather than the stupid fall you just had, it might further convince them you're in need. It's a curious position to be in, and one brought on by too many people fighting for the same resources: 

    You're lying in order to emphasize the truth. 

    The thing is, you really do need help. You're on the street. But that's not enough anymore. Everyone's on the street, and your problems are too complicated to explain quickly.
    How the pain medication from your on-the-job injury has developed over the years into a full-blown hard drug addiction.
    How the continuous sensation of being treated like dirt because of your race and appearance makes you want to fight the world.
    ​The thorny family situation you could return to, but which would actually be worse than being out here, if you can believe it.
    Or maybe you do have housing, but it's in a roach-infested subsidized building with enough crime and drug issues as to be so far away from anyone's definition of a home that it feels more accurate to just say: you're homeless.

    It's real and it's dire, the three kids explained to me, but it's too convoluted. People only listen to extremes nowadays. Sure, being homeless and hungry is a big deal for you, but you have to compete with people who actually are suffering the extremes you end up having to pretend, or who really do have the sanctimonious moral fiber you wish you possessed. You need to eat, and they're getting sympathy and solutions from social workers,
    strangers, and others. 

    Time to come up with a strategy... and maybe not an ethical one. Because ethics are a privilege of those who are doing well. You'll be your good self later. Right now you've got to survive. 

    And thus it begins...

    ---

    Denise's strategy is to pretend to cry. Few, if any, street people look as completely, utterly and spectacularly miserable as hers truly. Yes, American homeless people are much better off (and fatter!) than the maimed, deformed and starved shells of humans I've seen abroad, but as far as US streets are concerned, you haven't met Doing Poorly until you've met Denise. 

    How long have those inadequate rotting slippers been on her feet, melded and twisted in her flesh as they are? What actual color is the fabric of her pants? What precious few teeth does she have left, and at what point did her slurred, nigh-incomprehensible torrents of speech become her norm?

    She reeks less of the expected smells than of a particular brand of topsoil I used to encounter when I drove past a certain construction and landscaping plant in Bellevue. She'd step on board and my nose went right back to afternoons on Northup Way, maybe with a little human putrefaction thrown in. Ah, Pacific Topsoils, Incorporated. It's good to be back...

    ---

    Don't get me wrong, dear reader. I like Denise. Street people, especially at the volume and level of mental illness at which we in Seattle now possess, are not an embarrassment of themselves but an embarrassment of the city and the people running it. A naked ignominy of those with the position, power and money to do something constructive... and don't. The homeless person carries a cross of shame belonging less to him than to the society that would pretend his problems don't matter. 

    Any person before you is the result of the cause-and-effect timeline that is their lives, and if you think people end up where they are because of their choices alone, brother, you've lived a charmed existence. Someday life will just happen to you, and you'll shake your fist at your god or your devil, wondering why. It isn't because you're an awful person, my friend. It's just life.

    ---

    Denise's body vibrates from withdrawal with a persistence you sense she must not notice, twitching shudders made invisible by their constancy, known only to her as a pain she must fix. It's obvious she's an addict, that she's unattractive, even repulsive, and you know she knows it too; what then is a girl to do for sympathy? 

    This is where the crying comes in. Like the best of actors, she can manufacture tears at the drop of a dime. It's impressive. An unsuspecting commuter will round the corner toward her, and her eyes and lips crinkle and split sideways, instantly at the stage it should take hours of grieving to get to. 

    Watching her perform I sometimes find myself genuinely touched. Who am I, after all, to say how fake those tears are? What great sorrows, hardships of the soul and body, roil beneath her drug-fuelled haze? I happen to know this: that her husband would beat her up in her younger married days, regularly, such that she fell into heavy drinking. 

    ---

    I first met her during grade school, offering a her a handful of change which she accepted, and from which she immediately picked out the pennies and nickels, throwing them on the ground. At twelve years old, I was disgusted. I'd worked for that money. But she had other problems...

    Single-minded is a euphemism you think applies to many people, until you know Denise; it's a veritable science, how she's streamlined her actions down. If it doesn't have to do with cocaine, opioids, Red Vines, or Twizzlers, it's not even remotely on her radar (though she did mention Skittles and once, totally incongruously, spaghetti with chicken and marinara sauce...). But crack, mainly. Crack and nothing but.

    Denise died earlier this month. She died in the dried-up turtle fountain at the northwest corner of Third and Yesler. It's a terrible place to die. Not many will miss her. 

    ---

    But who will I have conversations with about Red Vines versus black licorice, or the merits of peanut M&Ms? Who will I marvel at as I did her, this strange asexual beast who didn't walk but shuffled, who could shuffle into the busiest street without looking for cars (Denise never looked for cars; far too prosaic for her focuses)... and never get hit? Never? Did she know how she would later be killed, and that it wouldn't be by a car or bus? Is that how it works? 

    I want to believe she had some secret gene, the seer gene, or some sort of invincibility gene that separated her from basically all other hard drug users: she was invincible.
    There's her, Mick Jagger, and Keith Richards. I swear these people are superhuman. She destroyed her body every day in ways that daily kill many younger souls, but she kept right on into late age. 

    Usually she wasn't able to say much besides the street name containing the project housing in which she lived. "JAMES," she would scream repeatedly, a scream which will echo in many a bus driver's head, including my own, until the end of time. I loved responding with the same word yelled at equal volume, the two of us creating our own echo chamber, the glee in my voice severely befuddling the other passengers. 

    Take things as they are, and make the best of them: I can't solve her problems. But I can yell a duet with her down Third Avenue that confuses people and makes me laugh– with her, you understand, not at her. Wouldn't it be funny if every passenger roared their destination stop with guttural force, saying little else?

    ---

    Her strategy for absorbing life's blows was to turn away. Addiction provided a solace she was unable to find elsewhere, and  before it claimed her life she lived in a hidden place of her own mind's making. It was far away, this place, some other planet, but it was just near enough for me to hear her yelling James, and for me to yell back. 

    Denise always threw in a few coins for bus fare– perhaps vestiges of a childhood in which she was taught to pay her way. I now realize that the coins she tossed in the farebox were pennies and nickels; she found a use for those things after all, alongside the fact that twenty years on, she's paid me back in a way. Not that the fare matters much. Sometimes I'd get a sentence or two of conversation besides out of her– I always tried– and blushed when she'd croak, "YOU TH' NICE BUS DRIVUH. YOU KIND." Yes, her spittle would come flying at me in ways I didn't particularly appreciate. And yes, I don't exactly love being involuntarily inundated with the smell of Pacific Topsoils, Incorporated. ​

    But I will think of the young woman who lived inside her, deep down and far away, the newlywed who didn't want to get beaten, didn't want to go home, couldn't stand the pain.

    Who hurt.

    Emotional pain hurts worse than physical pain, and domestic abuse cuts deep because it is both emotional and physical. She was the girl who had no one to turn to, and looked for answers in all the wrong places. It doesn't matter if those tears were real or fake. 

    There was a reason they were there.
  • Published on

    The Book Lives

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    This lil' thing just keeps chugging– thanks to you. We've printed a third run of books, in conjunction with my recent TED talk (which will be online shortly; stay tuned!). If you've already bought a copy, Thank You!! Tell your friends, your bookstores, book reviewers and others! It'll be a while yet before this little endeavor is actually sustainable– even when considering how phenomenally it's been doing.

    That's not just because books are a terrible way to get rich. It's because I'm Nathan and I can't help myself, in that the focus from day one has never been profit. When you leave the artists in charge of everything, it's never about the money, for better or worse... This was always about making the best possible item we could for you, the reader.

    This book is about that level of quality but also about something else, something deeper. I used to scoff at material objects– especially the buying of material objects– in a way that I've cooled down on in recent years. 

    Because objects outlast loved ones.

    They live longer than people, and carry with them the bodied memories of a thousand ordinary days, the days when that person still wandered about the house, called you, whisper-chuckled in your ears. Objects stick around, long after your friend, grandparent, whomever– has drifted out of your life, whether by death or something smaller, heartbreak maybe, or just moving away. 

    A friend once mailed me a letter (yes, young people still do that!) that included a handwritten copy of Pablo Neruda's poem, "Things." It's a celebration of physical objects, and at the time I thusly disregarded it. Who needs objects when you've got people, human souls to connect with?

    Well.

    I've been learning what my older friends already know. Humans don't always stick around, even when they desperately want to. We feel the unsolvable gnawing questions of God and Death and Time, and we, all of us, act accordingly.

    Some will tell you the organizing principle behind everything humans do is sex. Or love. Or loneliness. But all of those sit broadly at the root of something larger.

    Death, Don Delillo wrote, is the motivating factor for all human action. Meaning the act of life, and specifically the recognition of its fragile preciousness. The urgency of it, of our being here.

    Why did I begin creating with such urgency in the last five years? The blooming of the blog, the mad rush of photography, the large-scale darkroom printing, the book and everything it entailed, my upcoming film and everything that involved, the various radio, print and television placements, the awards at work and at large...

    What else would you do, friend, if you were in a terrorist attack, and then survived?

    "Tell us about Paris," a friend in the audience asked during my Elliot Bay author Q&A. I'll be giving incomplete answers to the fallout of that event for the rest of my life. I'll post the video of that talk soon as well, and you'll notice how uncertain I am as I fumble about for an answer, something succinct.

    This is how I might answer now:

    Life has urgency for me now, and I fight its fragility by creating. This fight will always be a losing fight, Sisyphean in a way, pathetic from a certain angle; but I welcome that futility, and all the growth that comes with it. It means I will never tire of making art, trying to be good, kind, loving– the ultimate art act of existence is how we live life. In the face of death, I create. I infuse my art with everything I've got, everything I've learned and gathered, such that I might be able to throw a beam of light into the void, for a flicker of a moment.

    As I say above, this book was never about the money. Debut authors don't always find it strangely necessary to have their books printed on photo-quality paper, with offset-printed covers, blurbs from major local luminaries, or come graphic-designed to within an inch of their lives, until you have what is basically a non-fiction coffee-table conversation art piece masquerading in the shape of a novel... But our book is all of these things, because we pulled out all the stops for you. The generosity of spirit that's come my way via the blog all these years demands it.

    But more deeply, more profoundly even than that, is the Urgency. To pour my absolute best, every single solitary thing I've got, into something I can gift to you, something that will live on your shelf or someone else's, in your mind, maybe your heart, for longer than I will be able to live on this earth.

    Objects. They carry secrets like I never knew.

    ---

    ​Buy the book here.
    ​More on the book here.
    Nathan on the Elliott Bay author event: Parts I, II, and III.