Welcome.
  • Home
  • Book
  • Blog
  • Videos
  • On Cinema
    • Essays on Film
    • Top Film Lists & Reflections
    • On Terrence Malick
    • Nathan's Thesis
  • Photography
    • Death in Paris
    • Venizia
    • Napoli
    • Havana
    • Roma
    • Seoul
    • Milano
    • Shenzhen
    • Taipei
  • "Men I Trust"
  • About
  • Press
  • Upcoming Shows
  • Films
  • The Lines That Make Us

Trolley Tips

3/1/2025

2 Comments

 
Picture
Trolley buses remind me of manual transmissions in cars. They demand qualities which require added effort, but which make us better drivers: attention, focus, present concentration, a continual honing of skill, a talent for timing, and an ability to read the road further ahead than normal. No, they're not the easy choice. But easier is not always better. Aren't knives best sharpened against the unpleasant resistance of stone? Muscles best created through effort and strain? Challenges make us better, and trolleys are a skill set with a steep learning curve. I think they're the best work in the system. Read on for tips on how to excel while you're at Atlantic. One day you'll have the seniority to pick away from here, but you just might find yourself wanting to stick around...
If needed: click here for a breakdown of what trolley buses are and how they work. Now, let's begin:


Navigating through special work
Don’t power through deadspots. It’s bad for the electricity (you’re arcing the power every time you do that, and you may blow your fuses), and it gives a jolt to the passengers, which they don’t like, especially if you’re doing that for the whole ride. Instead, coast through them. How? 
  • Memorize where all the deadspots are for your route. This is easier than it sounds: start with the CBD, which has the most complex wire. Make a note of where the front of your bus is when you hit a deadspot. I use the middle of the front doors as my reference point. When I pass by that tree, or that newspaper bin or manhole cover. The next time you go through that deadspot, lift your foot off the power pedal right before you pass your landmark. You'll get to where you know where every deadspot is on your route within a couple of inches. What a pro you are!
  • Slow down. Trolleys are designed to roll. Diesels have pretty strong retarders; trolleys don’t. They roll further than you think. You’ll make it through your deadspot fine. Also, because they roll further than you think, you don’t need to use the power pedal as much as you do in a diesel. If you do, you’ll end up braking too much, and we all know how much that hurts our knees. Maximize the time you spend coasting.
  • Slow down to 9-10 mph for special work. You'll get written up at 11 mph. This speed is only for the moment when your shoes pass through special work (whether deadspot or live). Sectional insulators are the one type of special work you don't need to slow down for (but, do still coast through them - they are deadspots).

Landmarks and difficult special work: an example
Let's use outbound 5th and Jackson as an example, and go through it step by step, together. Assuming we're using a sixty-foot trolley (the deadspots will be in different locations in a forty-footer):
  1. Don't rush this. If the ‘don't walk’ hand is counting down already, consider waiting out the cycle. I assume your coach is on the side wire because it's always nice to use the side wire (allows other buses to pass), especially when a relief is taking place. If you're on the side wire, you should hear 4 deadspots as you cross the intersection (if not, you'll hear 3).
  2. As mentioned above, I measure the location of deadspots by where the front of the coach directly beneath me (the middle of the front doors) is during the moment of the beep.
  3. Green light. Accelerate to 9mph before reaching the middle of the intersection.
  4. Do not activate your right turn signal as you cross the intersection, as this will set your poles to turn right. Merging? Use your 4-ways.
  5. Deadspot 1 (as your poles return to straight wire): your front is just about to cross the middle of 5th Avenue.
  6. Deadspot 2: just after middle of 5th, almost as you touch the farside crosswalk. You will need enough momentum to clear both these deadspots at once; there isn't enough space between then to accelerate. Remember, you only need 9mph to do this. 4500s coast quite well.
  7. Accelerate for 10 feet or so.
  8. Deadspot 3: As your front door passes by the anime-style painted image of a young woman in a chef hat and apron on the right wall.
  9. Accelerate for 6 feet or so.
  10. Deadspot 4: right before your front doors pass the door with white number zero on it.
  11. You made it. First day? You probably powered through all the above and jerked the bus around. That’s okay for now. But each time you go through, try to memorize these locations a little more so you don't power through deadspots, and give a smoother ride. Find your own landmarks. Remove your foot from the accelerator before the deadspot. If you're new, the back of the coach where the poles are is slightly further back than you think.

General reminders
  • Use the side wire at every opportunity, especially at 5/Jackson, NB Pike, SB Union, and Prefontaine. You don’t know what’s going to happen in these places, and you may be there for a while for whatever reason, and you don’t need to hold up trolleys behind you. If you're the lead coach, use the side wire at these zones every time.
  • Don't accelerate until after the back of your coach has completed the turn– you may feel done with the turn up front, but the poles back there are still going through the turning wire.
  • Every split of lanes in the wire involves one lane with a deadspot, and one with live wire. Learn which is which in every case, so you know whether or not you want to hear that deadspot beep. This way you'll have a good idea of where your poles are just by listening.
  • Pay attention to the wire. Pay more attention to the road, but pay attention to the wire. This sounds like a lot to keep track of, but it eventually becomes second nature. If you're not completely sure which lane of wire your poles are on, get out and confirm.
  • Hot tip: Open the rear end of your front roof hatch so you can hear the wire. Try driving with the AC/heaters off for a while, so you can familiarize yourself more easily with what you want to hear– and especially what a fahslabend switch activating sounds like.

Stopping smoothly on an uphill
Using the hill holder rather than the service brake can make this smoother. Here's how: 
  1. Pick a point where you want to stop, ideally just past the zone flag (why past the zone flag, instead of before? Two reasons: 1) you eliminate right mirror clearance issues for when pulling out; and 2) you confirm if anyone at the zone actually wants you).
  2. Ease up on the power pedal, while still applying pressure, slowing down the coach while still powering forward, until you're almost stopped.
  3. The second the coach is perfectly still (this is easiest for me to judge by looking at the lower edge of windshield in relation to the pavement beyond it), hit the hill holder. Your coach is stopped! No herky-jerky whatsoever!
  4. Do not use the power pedal to hold the coach still on an uphill. This is absolutely terrible for the traction motor. Use the hill holder.

Resetting your poles from one lane of wire to another
  • Pull the parking brake.
  • Be sure you pulled the parking brake.
  • Step out the doors with your vest in hand. Be mindful of cars. Put on your vest as you walk or jog to the back of the bus. You walk quickly to the back, to show the passengers you care about being expeditious, but once you're back there behind the bus and with the ropes– take your time. Rushing it will take longer.
  • Grab the rope of the pole closest to the lane of wire you're moving to, but don't pull the pole off the wire yet. While still holding the rope, walk over to where you're directly beneath the pole, then pull the rope straight down to get the pole off the wire. This prevents the pole from swinging around wildly.
  • Still holding your pole, and being mindful of cars, walk the pole over to where you are directly beneath the wire you want to let it gently rise to the wire. Do it slowly. Use both hands.
  • Is the shoe at an angle where it doesn’t want to slip back onto the wire? Raise the shoe up to the side of the wire and use the wire to knock the shoe back into something approaching straighter alignment. Then try again. Take a deep breath while you’re doing this, and remember to be mindful of cars.

Resetting your poles after losing your poles
I try to be aware of where the poles are at all times, and the minute I’m not sure, I check visually, either by the mirror or by actually stepping out. You want to be sure. This way, you only ever have to move poles from one lane of wire to another, rather than having them fly off and go everywhere. But let’s just say that’s just happened anyway, because sometimes it does. The poles have just flown off and are swinging around, settling on top of the coach.
  • Pull the parking brake.
  • Be sure you pulled the parking brake.
  • Do not hit the “lower poles" switch- this slows down the process.
  • Jog out there while being careful of cars and putting on your vest.
  • Rack each pole. Hot tip: first rack the pole you’re going to reset first. This saves you a second because it takes a second for the air pressure to build back up.
  • Is it raining? Don’t stand directly beneath the pole, but just to its side, as you pull the pole down to tap the coach as you and get it out of the hook. This way all the raindrops and hot carbon on the pole don’t fall on your face!

Merging during switches
You’re southbound on 3rd, approaching Union.
  • I recommend using your 4-ways in this scenario. 4-ways do not affect the wire, and let cars behind you know you're about to do something weird. They don't know what, but something.
  • You can also do Straight Override, but keep your hand on the switch so you remember to switch it back to "N" right after. I don't use the override; too much of forgetting it's activated. It's turn signals or 4-ways for me. 
  • Eventually you'll know where all the switches are, and will likely take the easier path of doing your merging maneuvers before or after them.

Pulling into the yard
  1. As a courtesy to your fellow ops behind you (like me!), PLEASE don't lower your poles until you've parked in your assigned lane. Here's how to park in the yard without losing your poles:
  2. Hug the left curb. 
  3. Notice the arrows and lane numbers on the cement; while hugging the left curb, drive until *your driver's seat* is on top of your assigned lane number.

  4. Crank the wheel hard to the right, then proceed slowly, until you hear the 'click' of the directional switch. These are directionals, not fahslabend switches, meaning they're not activated by turn signals but by the angle of your coach during the turn.
  5. Coast through the deadspot, which starts right after the click, then drive up your lane.

Qualifying on trolley routes
Pay attention. Stand at the front. Ask questions. For the love of all things holy, don’t sit in the back with your headphones in. Trolleys are a challenge, and you don't need to learn all this the hard way. We're a team at Atlantic. Try qualifying with someone who speaks your native language, so you can hash out all the details. If the driver isn't being a good teacher, try a different bus or come find me.

Third
Third Avenue has the highest amount of bus traffic of any road in the world. Don't clog it. Here’s a recap for how to do the Weave in three lines:
  1. Use the left lane except to enter or service a zone;
  2. Don’t pass buses that use the same stops as you (unless they have their 4-ways on);
  3. The bus in lane 1 (the right lane) has the right of way.
  • The biggest thing, really, is to not block bus stops that aren’t yours. Using lane 2 is safer, more open, doesn’t annoy other operators, and clears up passenger confusion over what stops you stop at. Memorize which routes stop where; they're generally grouped by route type and destination (all trolleys use the same stops; all buses to Fremont use the same stops, etc).

Thank you for being a professional. The only thing left to say is the one thing that's more important than every single little detail above: 

We're a team. 

Let's look out for each other.
2 Comments
Nick Bax link
3/9/2025 03:38:52 pm

Morn'n Nathan! Thank you for this.

I really love the point about measuring the dead spots by where a close spot on the front of the bus is, that makes so much sense and takes out some of the guess work. (Before I first learned that from you, I was doing a "look ahead and when I'm x number of feet from this landmark, that is where the dead spot is." but that really didn't work.

I do have one spot where I disagree, specifically "Memorize where all the deadspots are for your route. This is easier than it sounds: start with the CBD, which has the most complex wire."

Do memorize where the deadspots are, but I kinda think the CBD is a terrible spot to start to develop this skill for a few reasons:
1. There is so much special work in the CBD, that you're not always quite sure what special work corresponds with which dead spot beep, and some special work doesn't have a dead spot beep. (Presuming you're not driving 4343, that thing has the weirdest and most unhelpful beep, and I'd be amazed if someone managed to learn dead spots with that coach. I've written it up at least once.)

2. There is already a lot going on in the CBD, and for new operators adding on learning how to memorize dead spots might be too much.

I'd suggest making a point of learning how to memorize dead spots where they're fewer and outside the CBD and you can start to develop the skill outside the CBD, then apply it inside the CBD.

Reply
Nathan
3/24/2025 11:21:55 am

Great comments, Nick! Thanks for your close reading, plus your alternate suggestions about where to start regarding deadspots! I suggest the CBD because it's where we spend the most time. But you bring up some good points, which I don't dispute! Keep doin' what you're doin'!

Reply



Leave a Reply.

    RSS Feed

    Subscribe

    Nathan



    -What is this blog? Check out the explanatory first post, or read the  front-page Seattle Times writeup here! 

    Here's a one-page crash course with links and highlights: Nathan Vass 101

    My Book is Finally Easy to Purchase!

    -For New Bus Drivers: Thoughts, Tips, and Stories
    -How to Drive the 7: The Complete Care Package
    -
    Trolley Tips
    -Operator Refresher: 2025

    Popular posts:
    Only have time for one story? Try these. 
    -The Day The Earth Stood Still
    -Le Park de Cal Anderson
    -
    21st Century Man
    -One Last Story (Video)
    ​
    -Everything You Ever Wanted to Know About the Great & Terrible 358
    -I'M A LIGHT-SKINNED BLACK WOMAN!
    -
    State of the (Seattle) Union
    -
    "After" the Blog: Highlights & Schedule
    -The Final Flurry: Index
    ​
    -Scroll down on this sidebar to "On the Street," below, for more highlights~

    Personal:
    -Shawn Yim
    -International Examiner Interview (Plus a word to my fellow Hapas!)
    -
    Full (Redmond) Circle (includes event gratitude writeup index)
    -Surviving the Social Desert: Nathan on High School
    -With What Time We Have
    -My Seattle
    -On Second Acts
    -Yves Klein, Color of the Heavens
    ​
    ​-Popular Posts from 2018, with Commentary
    -Nathan Vass, 2019 Washington State Book Award Finalist
    -Nathan on the Elliott Bay event: Parts I, II, and III
    -Seattle Magazine / Third & Cherry
    -Pretty Sure I Don't Deserve This
    -How I Live Now
    -Escaping the Overlords: Nathan on Comcast
    ​
    -I Am Now Ten Years Old
    -Confession
    -Flowers in a Pool of Blood: Thoughts From an American in Paris
    -Paris, One Year Later: A Personal Perspective
    -The Transgender Ban
    -Nathan on the Las Vegas shootings: On Terror & Other Things
    ​
    -The Birthday That Almost Never Happened
    ​
    -Nathan Takes a Day Off:
    Part 1 (See Nathan Run);
    Part 2 (Nathan Gets Excited); 
    Part 3 (Nathan Sounds Like Morgan Freeman)
    -Rad(iation) City
    -La La Land & What Los Angeles Means
    -Reparations
    -Names Nathan gets called! A list in three parts: 1, 2, 3
    -Where and How it All Began
    -How I Write the Posts, and Why
    -Chaleur Humaine
    -A Story
    -What Not to Say​
    -In Praise of Silver Hair
    -You're Been a Good Friend of Mine
    -...And a Splendid New Year!
    -Nathan Converses With His Colleagues: Parts 1, 2, 3, 4, 5, 6, 7, 8... and 65

    Political:
    -America, the Adolescent
    -State of the (Seattle) Union
    -
    Thoughts on the UW Drugs on Buses Study
    -What's In a Number (Trump's legacy)
    -Praise Island (Biden's win)
    -The United States of Floyd
    -The Great Male Detoxification Project
    -The Day the Music Died
    -Kindness In the Days of After
    -Understanding Love & Hate During Trump Nation
    -More than Health, More than Money
    -Seattle, Center of the Modern Universe
    ​
    ​-What We Did, Today
    -This Story Has Nothing to do With Donald Trump
    -Don't Be Scared of My Friends, Part I
    -Don't Be Scared of My Friends, Part II
    -The Music Isn't Dead (Yet)
    -Nathan Actually Talks Politics, Pt III: Keeping the Music Alive
    -Pulling Our Weight, Part II: Addressing the Homeless Laziness Question
    -Getting Some Diversity Off My Chest
    ​
    -The Veterans
    -Islamofriendia
    -Be at Peace, Mr. Garner. We Will Love the World For You
    -The Streets Regard Ferguson
    -How do You Change the World? Thoughts on Violence
    -Cowboys of the New Age: Status & Respect in the American Ghetto
    -A Boy Named Hamza: Thoughts on Hate in Three Parts 
    -It Used to Sound Like This

    ​On film & art:
    -Trois Objets 1: on Michael Mann's Heat
    -Trois objets 2: On Antonello da Messina's Annunciate Virgin
    -Trois Objets 3: On East of Eden
    -On Laura's Book
    -Nathan on Seattle's Waterfront: Before and After
    -Reflections on the Will Smith slap
    ​-Nathan's Films of 2019: Top 2 Plus 23 Runners Up (photos, trailers, analysis & more)
    -Once Upon a Time... in Dreams: On Tarantino, Violence, and Transcendence
    -On Finishing Men I Trust
    -The Lie & How to See It: On Hate, Despair & Hope in Contemporary Film
    -
    Notre Thoughts
    -Addressing Despair: Nathan on First Reformed
    -How Evergreen Became Irrelevant
    -October 2018 show breakdown: all the deets 
    -On Color Darkrooms
    -The Non-Bailers: Thank You to the Cast & Crew of Men I Trust, Pt I
    -People I Trust: Thanks to My Cast and Crew, Pt 2
    -Nathan's Overlooked Films of 2016: Trailers, photos, analyses
    -A Bus Driver Reviews the New Bus Driver Movie! 
    -My Films
    -Song to Song and Malick: The Cutting Edge
    ​
    -Nathan on Wet Lab Prints
    -Kehinde Wiley: The Morning After
    -Nathan the Friendly Hermit, Part I: Nathan Gets Pasty
    -
    Nathan the Friendly Hermit, Part II: Pastier and Pastier
    -Birdman, (a) Film of the Decade
    -
    Gone Girl: Fidelity & Subjectivity
    -On Gravity and Identity
    ​-Primary Colors with Music: Andrea Arnold's American Honey
    -Sicario: Why Visuals Matter
    -The Martian: On Intelligence in Pop Culture
    -About Elly
    -Best films of 2015: Trailers, photos, analyses
    -Selected writings on films released in 2014, 2013, and 2012. 

    On the Street:
    -It's Complicated (on Rainier RapidRide)
    -Jessica Lee
    -Ah, Volume
    -Eulogy for the Damned
    -King Travis
    ​-The Great and Terrible Fifth & Jackson: An Ethnography
    The Veterinarian: A Story on Grief in 4 Parts
    -The Glow
    -Decent Street: Kendrick, Gender, Lingo, & the Good Man Problem
    -The Shake'N'Bake: Parts 1, 2, & 3
    -
    Pulling Our Weight, Part I
    -Pulling Our Weight, Part II: Addressing the Homeless Laziness Question
    -I've Been Sainted
    -Dominique The Mystique
    ​
    -Deserve, the Concept and the Song
    ​-Gangsta Phone Strategy, Deep Breaths & Kindness Rising
    -The Joy of Bus Driving
    -The Knife's Edge Dance
    ​
    -The Soulful Stench
    -"Everybody Need to Quit Acting Hard and S**t"
    -The Mother's Day Apocalypse
    -Ode to the 358
    -"I BET YOU APPROVE UH GAY MARRIAGE"
    -The Question
    -By Himself
    -Appreciation
    -Banter in the Nighttime
    -The Nathan Train
    -The Benevolent Roar
    -Truthfulness, the Final Currency
    -Love is in the Air
    -Surfing the Sparkling Wave
    ​-Saddest Music in the World​
    -Rainier & Henderson, Baby!
    -Sheeeeeeyyiitt: Strategies for Day or Night
    ​-AngryNice I (Love Through Frustration)
    AngryNice II: Tran Chimes In
    AngryNice III (We've All Felt It)
    -Love (Hurting From a Lack Thereof)
    -Hip to be Joyful
    -Future, Present, Past
    ​-Changing Awful
    -Harsh
    ​-The Nameless Heroes
    -The Break-Up
    -Tropic Of
    -Figuring it All Out in the Bullpen
    -Leaving Small Talk Behind
    ​-She Did It On a Monday
    ​-One Day, My Friend
    -I Am Now Two Years Old
    ​-The Harder Thing
    -Poker Face Practice
    -The Great Freeze

    For Bus Drivers!
    -How to Drive the 7: The Complete Care Package
    -
    CBD Operations: Refresher 2023
    --It's Called Working
    -
    Bus Driver Appreciation Day: Coronavirus Style
    -The Swagger I Love: Thoughts on My Fellow Operators
    ​-A Love Letter for My Colleagues: Exercises and Stretches for Operators
    -What I've Learned From Other Bus Drivers
    -Rest in Peace, Breda Monster
    -I Don't Know What a Trolley is, Part I
    -I Don't Know What a Trolley is, Part II
    -Verbal

    Archives

    July 2025
    June 2025
    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    June 2022
    May 2022
    March 2022
    February 2022
    January 2022
    December 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012

    Categories

    All

    RSS Feed

Proudly powered by Weebly
  • Home
  • Book
  • Blog
  • Videos
  • On Cinema
    • Essays on Film
    • Top Film Lists & Reflections
    • On Terrence Malick
    • Nathan's Thesis
  • Photography
    • Death in Paris
    • Venizia
    • Napoli
    • Havana
    • Roma
    • Seoul
    • Milano
    • Shenzhen
    • Taipei
  • "Men I Trust"
  • About
  • Press
  • Upcoming Shows
  • Films
  • The Lines That Make Us