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    Thanks Giving (I Like Peanuts!)

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    "I don't have a transfer...," says this sullen brother, trailing off into awkward silence. A lanky dark-skinned fellow about my age, maybe a few years younger and a few inches taller, dressed in an orange waterproof jacket which would work well as a dress on me. Rainier and Forest.

    "Well, let's see," I say, noticing the oblong package he's eating from. "Are those peanuts?"
    "Yup."
    "Can I have some?"

    Wordlessly he pours a generous handful into my open hand. "That's cool," I say. "Thank you! This is my dinner!" There is a barely perceptible smile as he begins walking to the back. "Thank you!" I exclaim again. Want to make sure he heard me say that. Partway down the aisle he stops and returns, giving me the rest of the peanuts package. Other people are getting on now, and amidst the hubbub I yell, "Thank you!!" There's a sideways nod of acknowledgement as he retreats to the rear. We continue on toward downtown. 

    "The next stop is Bayview, that's by Leows, and WorkSource," I say into the mic. Periodically I'll tell them to have a good night. Very important, after all!

    At 4th and Pike a huge mob is waiting. I'm delighted. Here they come. The brain has to be at full attention to be present with each face, over and over, changing in seconds, each new person a human being with histories and stories of their own, having nothing to do with those who passed before or after. It's a rush. Here's my dear friend Tracy, out of nowhere, with her brother tagging along– "nice to meet you!" It is a sea wash of faces, beautiful people I've seen somewhere before, shapely fingers or tubby ones, swiping passes and tossing change. Figures with bags and gristle and style, echoes of emotions and headspaces I've lived in myself. I check the back door in the mirror. The orange jacket guy is going out, but no, he's holding for a second, indecision, looking at the stream coming in the front, and now he's coming up to me. Tracy's up front, and the mob is nigh unstoppable, but I'm happy to force it all to a halt if he wants to leave through the front doors. A lot of local chaos at the front. 

    "Did you wanna step out here?" I say to the man. 
    "I'll wait for them to get on." Shaking his head. He must have a question.
    "Okay."

    That can be quite a wait, as it is tonight. The tumultuous wave of humanity continues gushing in for several more minutes, a cacophony of coats and purses and textures, leathery skin and eyeliner, young bunnies in love and ticking time bombs, the tired and the hungry, the last straws and those gentle, neutral faces you can never guess about. I'm reminded of the notion that each of these people, far from being extraneous supporting characters in my blurry periphery, are in fact at the center of their own universe, with loves and losses and families and problems and dreams of their own. The sheer size of such a truth only barely exists inside my comprehension. The earth may be small, but humanity makes it enormous.

    Finally they're all in. Mr. Orange steps forward. What did he want? 
    Just to shake my hand. 
    He extends his arm over someone else's head. "Ey, thank you," he says with enthusiasm, smiling wide like I'd never expect.
    "Dude, thank you for feeding me!"
    "No, thank you! For everything!"
    "Thank you!" We're laughing now. I think he's just happy to be here, in an accepting and loving space. He says, "you have a blessed night, man!"
    "You too!"

    Later on in the U-District, a very pale– and very old– we're talking straight out of the bible here– homeless man pipes up from somewhere behind me. "Are you going to Ballard?"
    "No. We're just a 49." I say something about the 44, and how it does go to Ballard.
    "Do you have any food?"
    "I do not have any food."
    "Okay."

    As he's gathering his things, medium gray and white hair swinging, loading up his elbow crooks and fingers with various bags, it occurs to me. Of course.

    "Oh, wait, hey! I do! Check it out! D'you like peanuts?"
    "Yes!" he exclaims.

    That's two people in one night, giving away the same package of peanuts and feeling great about it. I wonder if he passed it on as well!
  • Published on

    Banter in the Nighttime

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    The Nightwatch crew has just arrived. They have their tickets and directions, and are fanning out to the various shelters they've been assigned for the evening. "Next stop is Eighth Avenue," I tell them and everyone else. "By the library."

    "I didn't know there was a library here!" one of them says.
    "Yeah, it's just to the left. Real small, but it has a bathroom, a bunch a books,"
    "It has a bathroom!" he laughs.
    "You know, the essentials!"

    They continue talking amongst themselves, and I listen, smiling to myself. Their conversation didn't have high-minded literacy of the exchange below, but more than made up for it with its easy humor.

    "That one's real small."
    "Oh, it's tiny."
    "Just a room, basically. And it's dead quiet in there. You can't even fart. If you fart, you gotta turn around and run out, 'cause everyone'll know it was you."
    "Well, shoot."
    "It's a small library, it's not a real library."
    "They got like three computers,"
    "Capitol Hill has a real library, right?"
    "You can't watch porn. It's just too damn quiet. Hell, you can't even talk.  You can't watch porn, and you can't talk."
    "Hey, did you ever run a background check on yourself? Did you know you can run a background check on yourself?"
    "No."
    "It's crazy, the stuff you learn. I just ran a background check on myself. I wasn't aware I've been arrested twice."
    "That's 'cause you were drunk!"
    "I don't drink."
    "That's all the more proof that you do drink, 'cause you can't remember!"
    "Apparently. Didn't know I've been arrested three times."
    "I thought it was two times! You really are drunk!"
    "Get outta here!"
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    Let Us Not Judge, That We Might Not be Judged Ourselves

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    "How you doin' tonight?"
    "Typically!" he says. "And yourself?"
    "Oh, I'm well!"
    "That's excellent!" he smiles. "And syntactically correct!"
    "I do my best!"

    That was the first guy. With him is a second man, his friend. Both have books. I ask the first fellow what he's reading, and it's a hefty sci-fi tome of at least a thousand pages, about the export of steel across different galaxies. "Seminal stuff," as he describes it, from the great 1960s-70s period of sci-fi. "Asimov, Frank Herbert, all those guys."
    "Just a little light reading!" I say.
    He laughs with pleasure.

    "And how about you, what do you have there?"
    The second man turns up from his own book. "Oh, this is, it's about Intercultural Communications."
    "Cool!"
    "Yeah, it's all about the complexities of communicating between cultures, and how the studies we do can impact those communications and how we apply those results can fundamentally affect decisions people make."
    "Oh wow. So it's talking about the impact of the studies themselves?"
    "More how those studies are conducted."
    "Ooooh."
    "Yeah, how the different methods chosen can influence the results and what people do with those results."
    "Tight."

    Once again, just some light reading. I ask him a few more questions about it. I'm fascinated and want to look it up myself. "What's it called, the book again?"
    "It's, uh. Experiencing Intercultural Communications, an Introduction. By Judith,"
    I'm scribbling down the title. "Experiencing...."
    "Yeah, Experiencing Intercultural Communications. By Judith Martin and Thomas Nakayama."
    "By Judith Martin."
    "And Thomas Nakayama. Yeah, it's really good."
    "Nakayama, first name Thomas?"
    "Yeah."
    "What made you choose this book? I mean, that's a pretty specific focus,"
    "I just thought it sounded interesting. And what's really cool is, at the end of each chapter, they have like sixty or seventy citations to other books on similar subjects to what was covered in the chapter."
    "Oh, that's a gold mine!"
    "Yeah, so if you're interested in this or that, you can go read further, and get all in detail. Which has been super helpful."

    These two were not students attending accredited universities. They were not educated businessmen. They were street people, quite possibly homeless, no different in look from so many of the huddled figures we pass on the sidewalks downtown. What was it my elementary school teacher told us when she broke down the word "assume?"
  • Published on

    From a Healthier Slant

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    Two teens board at Henderson. This happened immediately after the story below. They walk to the back, then immediately turn around and walk back up, looking for seats as far away from the back lounge as possible. That's odd. It'd be pretty hard to explain this to Rosa Parks, but today's youngsters of color often do their best to avoid the front of the bus.
     
    "We gonna sit up front," one of the boys says. They're scrunched in the two seats closest to me. "It's some nasty shit on the floor back there!"
    It's a mixture of urine and malt liquor- a mixture I suggest avoiding at home! Out loud, in the interest of decorum, I say, "yeah, I don't know what that is!"
    "Shit was sticky."
    "Always an adventure out here!"
    They laugh in solidarity. "You don't gotta clean that shit up, though, right?"
    "No, I'm gonna leave it for the cleaning lady!" She'll know what to do.
    The second boy chimes in with, "I know you don't gotta clean it, cause you ain't pissed off! They couldn't pay me extra to touch that shit! I'd be like, fuck that five bucks!"
    They're rolling into each other, like a connected single being, arching out the same sentence in two voices. "They couldn't pay me,"
    "Fuck that five bucks!"
    "Couldn't pay me five to go and look at it!"
    "Yeah, couldn't pay me five!"
    "I'm glad it don't smell too funky," I say. "I mean, it cooouuuuuld be root beer, but...."
    Boy one, choking out a laugh: "'Could be root beer,' he says!"
    "How's the night been for you guys?"
    They respond in a hesitant key.
    "Um."
    "Uh."
    "Uh oh," I say.
    "Yeah. Strange, pretty strange. One of the strangest nights we've ever had."
    "Okay. Okay. I hope strange not in a bad way,"
    "Aw, strange in all kind a ways, good, bad,"
    "You got everything, the good the bad the ugly?" Don't know if they've seen the great Sergio Leone film, but I may as well recommend the title by way of subterfuge.
    "Yup, the good the bad and the ugly!"
    "It's getting gooder though."
    "Yeah, and they was some good. The girls were good. I'd say that was the best part."
    "There you go."
    "'There you go,' he says. And we smoked some good weed."
    "Uh huh."
    "And it's getting gooder now, yeah,"
    The other one continues: "and the yeah. Good always wins at the end of it. The good always outweighs the evil."
    "Iss getting gooder," nods Boy Two. "This bus ride right here is all better!"
    I'm interested in Boy One's thought. I continue his sentence to see if he'll elaborate. "At the end of the day,"
    "Yeah. At the end of the day, there's always more good. Jus' like in the movies, you know,"
    "Shit always ends up workin out," his friend explains.
    Boy One says, "And I'm glad they put it in the movies like that. 'Cause it's, it's, it's,"
    "Like a reminder?" I say.
    "Yeah, a reminder."
    "Always a light at the end of the tunnel," I say.
    "Yeah, ain't no tunnel goes on forever."
    "Like they say, the night is always darkest before the dawn." There I go, quoting another film.
    "What?"
    "The night is always darkest before the dawn, you know?"
    "Yeah."

    I'm so glad they both think that way. Does it even matter if it's true or not? Of course there's no way to definitively know one way or another. But if you find a perspective from which to view the universe that allows you to see and emphasize the good, to notice and contribute to the idea of a just universe, well, wouldn't that be a good thing? For the sake of one's sanity, for the sake of belief in good works? Why not work toward the decency and excellence that exist all around us, that we might appreciate it more often, and take part in it more regularly? Thank you, young boys, for your perspective. There's wisdom lurking beneath the surface.
  • Published on

    Last Chance!

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    Kate Alkarni Gallery in Georgetown is shutting down. In fact, the entire Seattle Design Center is shutting down. It was bought out. It won't be the last time you hear of Kate Alkarni Gallery, however, as she has exciting new plans for reemergence, coming back in a big way hopefully in the Spring.

    Meanwhile, though, Thursday will be the last and final chance to see a show at KAG in Georgetown. I have 150 pieces at this show, and it's one of my absolute favorite shows I've ever had. If you haven't had a chance to, I urge you to take advantage of this last opportunity to see it. I'll be there from 5pm to 6:30. The show itself will continue til 9pm, but due to a prior commitment I'll have to leave at 6:30. Details and directions here.
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    You're in Town

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    There's still a face there, at the end of the line in Rainier Beach. She's in the back, on top of the rear wheel. A favorite seat of mine. Who likes to sit facing sideways, anyway?
    "Hey," I say, ambling generally towards her, checking the now-empty bus for lost and found. She can't be more then thirty, abnormally thin, with large front teeth.
    "Hey."
    "We made it to the end." I don't like to explicitly ask them to leave without first trying the softer approach. You can get a lot done indirectly.
    "Okay."
    "Thank you." She continues to sit and shiver awkwardly, and then sheepishly pulls up her pants from down around her knees. I turn away to give her some privacy, looking around for lost and found items. The urine mixes with the enormous quantity of malt liquor on the floor, loosening up the stickiness.

    All the doors are open, but we start talking. She and I walk up the aisle slowly. Her story slurs out in fits and spurts, the words blending into strange new rhythms I work to understand. Something about the DOC. Rambunctious types coming and going at Othello, where she got on. Her aunt was sick, at the bus stop, and she stayed with her as long as she could, attending to her in the local chaos.
    "That's good of you, lookin' out for her."
    "They was all yellin'. I'm tryna make money." Now she's slowing down, speaking softly, through a disfigured mouth. "What time is it?"
    "Eleven thirty, just before eleven thirty,"
    "See, everybody get paid in thirty minutes,"
    "That's right, first of the month,"
    "Yeah. So don't nobody care about nothin.' I been holdin it for two hours. You saw how long I was out there."
    "Yeah, I think I saw you I was goin' the other way."
    "They all sayin', they always talkin' 'she my homegirl, she my homegirl,'"
    "Talkin' about your aunt,"
    "They always like 'we love her,' callin' her homegirl, but as soon as she down, they ain't gonna do nothin. And she's my aunt. What am I gonna do? Nobody else, they don't care. Even though they be like, 'she my homegirl.'"
    "Just a buncha words."
    "Yeah."
    "Well, I'm glad you was there." The old LA accent slipping out unbeknownst. "You're doin' a good thing."

    Earlier I had considered saying something about peeing. But is anything more unnecessary than the no peeing lecture? Every(sober)body knows that. It's all about the circumstances, and tonight her problems vastly supercede my own. As a bus driver I can certainly relate to the whole bathroom thing (see the post below!).

    I stood there in the bus doors, stopped in my tracks, watching her walk away. Just another person like myself, same generation, separated only by a few choices and opportunities. There was something about the image of her pulling her pants up which deeply humbled me. Her, scrunching herself into a corner, trying to be invisible. I turned back inside. Be careful before calling something pathetic, I cautioned myself. That which is called pathetic is often beautiful, a vulnerable beauty hopelessly lost upon jaded eyes.