• Published on

    Just Saying Hello

    Picture
    Sometimes people yell across the street at each other because they're angry. Other times, it's more like this. While taking the turn from Jackson to 4th at "walking speed" (as per the old rulebook), a man at the island stop howls into the dark night,
    "Mister 49, how you doin!" He draws it out. Doo-in. Picture the thick Italian accent, a supporting character from Goodfellas
    "Heeeyy!"
    "One of the best drivers in the whole city!"
    Modesty doesn't work when screaming is the only acceptable volume. I respond with, "how are you??"
    "Whuh joo think, I'm beautiful." Beeayootiful. "I love you, man!"
    "You're a gentleman!"

    When I looked up in the mirror a minute later, everyone was still smiling. You can ride the buzz off a small moment like that for hours. 

    Later, a drunk man at Andover called out to me: "hey, pretty lady!"
    "Hey!"
    "Oh," he said. Disappointed. Now, embarrassed. "Oh." And finally, just plain friendly: "hey!"
    "Hey! Have a good one now!"
    "Uugglughhuuh..."


    "What did he call you?" asked the grave shift man as we pulled away, on his way to work at 7-11. Yes, he works 11 to 7 at 7-11.
    "He called me pretty lady!"
    "That's what I thought I heard, but I couldn't believe it!"
    "Yeah, that's when you know it's time to get my haircut!"
    Belly laugh.

    --

    Please forgive my minimal presence on the blog this week– things are exceptionally busy in both the bus world and the art world right now. I suppose this is good, but it means the great backlog of stories wells ever higher... I'm looking forward to having more for you next week! 

    Also, great to see so many familiar faces on the 70 today, which I haven't driven in over a year! You all made that traffic a lot more fun than it could've been. Who knew sitting around on Stewart Street for thirty minutes could be so pleasant? You're threatening to make the 70 as exciting as the 7! Don't draw me away from my baby!
  • Published on

    The Warm Night

    Picture
    A globular form is running across the street, waddling in between the lanes rather more dexterously than I might expect. He's anxious to hop on board before the light turns green. As a bus driver, you see more than your share of accidents and injuries, and the urge to chastise such recklessness is strong. Once a wheelchair-bound woman jaywalked– make that jay-rolled– right in front of me, forcing a shuddering slam on the brakes. Out of concern for people, but also out of a deep-seated fear I have of accidentally killing someone, not to mention being fired, your adrenaline takes over, sometimes in the form of a too-strong tirade against the passenger. When you've seen people get killed, it's terrifying to see someone almost get killed. 

    When the woman made it to the bus and as I lifted her wheelchair aboard, I said, "you know what I'm thinking, right?" 
    "Yeah," she said, chagrined.
    "That was not smart. I'm sure you've got your reasons, so that's all I'm gonna say."

    That's my version of a raging tirade. Tonight I decide to hold my tongue for the shadowy ovular figure now boarding. I'm not the world's grandmother, after all.

    "Hey, perfect timing," I say instead.
    "Whoo-ee," he breathes. "Din't think I was gon' make it!"
    "It was meant to be! Hey, you still got it!"
    "I'm tryin'!" He laughs, sitting near the front and noticing a woman seated across the aisle. They know each other. One of my favorite things about the 7 is the sense of connectedness within its various bodies of passengers, particularly in the east Asian, African, and African-American communities. He's asking after her children. 

    "She eleven now," she says, stressing that they're no longer toddlers.
    "Wow, tha' was fast."
    "Yeah, they growin' up in a hurry. My boy, he's seventeen. Taller than me!"

    They carry on, talking the past into being, giving it shape and resonance, becoming more friendly by the minute. Another of my favorite things is to kickstart a conversation on the bus and then drift out of it, listening as it grows on it own.

    "I don't think I'll get married," she's saying, as I smile in silent assent. "I'm fine. If you don't marry 'em, then they wanna stay with you!"
    "Ha, yeah, funny how that work!"
    "Yeah, they know they could still lose you, so they gotta keep they act together! And if they don't, well shoot, you're free to jus' up and walk!"
    I listen as they chuckle together, kneading the night into a warm and easy space. Their conversation drifts to children again, now to jobs and housing. I'm struck by her homespun wisdom and evenness of character, which is especially apparent as she discusses child-rearing. 
    "Got good people on this bus!" I say to him, after she's left.
    "Yeah?"
    "She sounded like a good soul."
    "Yeah, she's been that way her whole life. Happy, no stress, take it as it comes through thick and thin."
    "I admire that."
    "What?"
    "Oh, I look up to that. Takes some skill."
    "Yeah, havin' a  good attitude just changes things, you know?"
    "Makes it easier for everyone."
    "Well, it's nice for other people, but it's really good for you!"
    "Exactly, it makes our life easier! Selfishly, it's still a good, worth the,"
    "It takes more energy to be angry than to be happy."
    "So much more!"

    During this, an elderly  Chinese woman with a bouquet had boarded and I'd complimented her flowers, not knowing if she'd understand me. She did. As she's leaving now, having listened in on us all, she says to me, "your hair looks good that way!"
    "Oooh, thank you!"
    It feels like a gesture of appreciation for all of it, the pleasantness of this room, and the innate need to return goodness, make the positive come back around. Are we the ones who cause karma to come into being?

    The heavyset fellow feels it too. He's also leaving now, and though there's a flurry of activity here at 5th and Jackson, he hangs back on the sidewalk, waiting a moment to share something. With the type of radiant, childish enthusiasm that can only be called magical, he says, "I'm gonna start playing the sax again!"
    I can see how much it means to him. "Oh, excellent. Good for the soul!"
    "Yeah. I haven't played since the eighties!"
    "It's gonna be beautiful!"
    "Anyways."
    "Have a great one!"

    I watched him walk into the night, a man newly filled with happiness, that gentle stirring which starts deep inside you, a well-being whose reasons you'd have trouble explaining to others, but which you know, truly and deeply, is there. 

    I live for moments like that.

  • Published on

    The Good Spaces

    Picture
    I used to be shyer than I am now. We drove in silence for a while, he and I. It's this young man and myself, as we deadhead back to Atlantic Base. He was along Rainier and knew I'd be passing through Chinatown. So here we are. His 'fro is tied back in a thick ponytail, with a sweater cap on top; dressed in a collection of grays and heavy blues, thick fabric. I'm guessing late high school.

    He's the first to speak. After several minutes of us cruising up the boulevard, whizzing under I-90, he says in a friendly tone, "this bus don't sound too good." 
    I was just thinking that. "Yeah, it sound like it's 'bout to blow up! I just need it to, if it can hold together about ten more minutes, then it's all good. Takin' it home. How's your day been?"
    "Good. I was talkin' wit' my bro. He's about to ship out, goin' to Afghanistan."
    "Oh wow. That's intense. You see him often?"
    "Sometimes."
    "Is he older or younger,"
    "Older."
    "Okay. Man, Afghanistan. How's he feel?" 
    You can sense this boy warming up, opening himself, the space shifting from neutral to actively welcome. "He's excited. He wants to go out there. Always wanted to join the army."
    "Hmm."
    "Yeah."
    "Man."
    Silence. Then I just blurt out what's on my mind: "I don't know if I could do that, dude. Goin' out there."
    "Yeeeah, man. He's a little messed up in the head, man. He' just… angry." 
    "Oh man, that ain't no good."
    He was looking at the floor when he said, "yeah, he just really wants to kill people." 
    I'm reminded of a military wedding I once attended, eavesdropping on the groom, who was bragging to his friends about the men he'd murdered abroad. "Dude, ugh." 
    "Right?"
    "I couldn't do that man, I care about people too much! I'd be thinkin' about their moms, their kids…."
    "Yeah, that's me too! I couldn't do it!"
    "Dude, that's a good thing, man. We need folks like yourself."

    You felt a gentle wave of relief wash over you, listening to the timbre of his voice, halfway between a child and the future. After all the posturing, the hard stares and high guards, the uncool and deep-seated urge toward human goodness lives on. To find spaces where we can share the truer sides of ourselves is one of life's more noteworthy pleasures.

  • Published on

    Red Napkins

    Picture
    I'm inbound at Graham, shortly after 10pm. I'm looking for things to hold me up. It's very important to not be early. As operators, we don't get penalized for being late, since anything can make a bus late, but if we're more than thirty seconds early, it's over for us. That's a conversation in the boss's office, because as a passenger there's nothing worse than being on time, walking out to the bus stop, punctual and ready to catch it– and then seeing it fly past you before you can get to the stop, taillights already fading in the distance, even though you did everything right. So, I park it at Graham, sitting out the next light cycle.

    "Ay ay hold up," a couple of figures exclaim, materializing out of the dark.
    "It's cool." After a pause I say, "How's your night goin?"
    He looks grateful for the acknowledgement of equality, and offers his fist for a bump. "Aw man, jus tryin' ta stay smart like you!"
    "You and me both!"
    He waves a handful of bloody napkins in the air, gesturing. "Yeah my girl tore her foot open, so she takin' a minute."
    "Oh I'm sorry. It's all good, no rush. We got time."
    "Thank you." She pulls herself onboard, and they choose a seat, sprawling out on the largely empty bus.

    As we ride further into town more folks get on, some who know me and others who don't. A middle-aged man storing a basketball under his shirt is happy to see me again after a long time. "Excuse my foot," the lady says to him, her wounded limb sticking out in the aisle, as he sits across from them. The napkins are falling everywhere. One floats up to where I am, and I ponder the daubs of blood at a red light.

    Although she spends most of the ride speaking loudly and profanely, I don't make an issue of it. People with open wounds deserve a free pass sometimes. When you should really be in a hospital and all you've got is the 7, you deserve a break. Although at first it seems she's merely arguing with another passenger about which of their brothers died more horribly, it gradually becomes apparent something of greater emotional resonance is taking place. As her male companion retreats to the back of the bus, away from her, she implores him with a despondent "sit the fuck down. Where you goin'?"

    She tries to understand his behavior, asking, "you wanna go back?" But his better angels are fading. There's no reason in him now, just alcohol. As he avoids her, she keeps saying, "a drunk ain't shit. A drunk ain't shit. Figure it out, slut." Referring to him. "A drunk ain't shit. Figure it out, slut. A drunk ain't–" 
    "We're rollin' out," I say into the mic as we pull away from a zone, passengers still walking down the aisle.
    "Yeah, le's roll, I gotta be at 5th and Jackson in five minutes," she says.
    Piece of cake. That's three minutes away. "I do what I can."
    "Listen, a drunk ain't shit," she says to the back of the bus. A drunk ain't shit. Figure it out,"

    I look at the bloody napkin on the floor and decide to say something. Distract her. 

    Loudly, confidently: "How we doin' tonight?"
    "Good. My brother just passed."
    "Oh, I'm sorry!"
    "Thanks."
    "That's heavy."
    "It is heavy."
    "Oohh, I'm sorry." I mean it.
    "I'm sorry too. We was close. And then mah daughter..."
    Her friend comes up to her again, saying, "hey, gimme a hunnerd real quick." He's standing over another man, perhaps interested in a transaction of sorts.

    "I don't know what he's talking 'bout," she says, ignoring him. "I gotta catch that 41."
    "Oh yeah, the one comes at 10:42, what is it? 10:38?"
    "10:38 DAYUMN, you know whas' UP! You coo'!"
    "I used to live out there, so I'm on that 41 all the time."
    "Oh, tight. You know all the shit."
    "Aw. Well. I hope it's a better rest o' the night!"
    "Thanks, you too!"

    It all boiled itself down into that beautiful phrase, the closing phrase of so many moments. What matter is the strife which came before, if we can work it down, parse it down to the simple equal goodness of a genuine "Thanks, you too?"
  • Published on

    Name Caller III

    Picture
    From what creative well do the good people of Seattle turn to to keep coming up with these names? I never thought it would get beyond one list of names people call me, but here we are on our third (here is the first list, and the second). I can't quite decide on a favorite. 

    King bus driver
    Big juice
    Killer
    Family
    Lord
    Ass
    Pilot
    Pretty Lady
    Waa Waa (as in an infant, crying)
    Doc, Doctor
    Foo
    Boo
    Boss
    Stephanie
    Harry Potter
    Kim Jong Un (incredibly, as a positive designation, I think)
    Pardner
    OG
    Koneecheewa
    White Faggot
    Girl
    My Nigga
    Nigger Nate
    Sir
    Babe

    --

    PS also- a humbled and hearty thank you to all those who bought nearly everything I put up at my most recent show!