Welcome.
  • Home
  • Blog
  • Book
  • On Cinema
    • Essays on Film
    • Top Film Lists & Reflections
    • On Terrence Malick
    • Nathan's Thesis
  • Photography
    • Death in Paris
    • Venizia
    • Napoli
    • Havana
    • Roma
    • Seoul
    • Milano
    • Shenzhen
    • Taipei
  • Men I Trust
  • About
  • Press
  • Speeches!
  • Upcoming Shows
  • Films

Grateful

12/28/2020

0 Comments

 
Picture
What makes something land?

1. The Meat of It

I really don't know. I think a lot of it is in how the film is handled. Focus and A24 know a lot about presenting a film. Fox Searchlight did too, before it got swallowed by Disney. My means have been limited, but I'm trying (and continuing to try) to get this piece of front of the right eyes. The festivals above are small, but they're still attended by real people, and some of the real people in these various cities have apparently gone for my strange little beast. I do not know why this is. At a hefty 33 minutes it's too long to be a short film (programmers hate long shorts), too short to be a feature, has barely any plot, no villain, no resolution, and is centered around the not-exactly-trendy topics of grief and death. All this, and they're still going for it?

I am grateful.

Not just that they've given my film and especially the people who made it a boost, but more deeply because they must feel, too, what I felt, what compelled me to bend over backwards trying to convey.

What do you do when the world you know ends?

We experience it on different scales as we wander through life: a toy that won't go back together; a partner who loses interest; a family that breaks apart, a livelihood lost, friend or lover killed. It happens, and you pause. What we do in the Pause is critical. How we choose to see, moving forward. It's important to take your time with it. Who ever said they understood an event better while it was happening, as compared to years down the road, assisted by the helpful wisdom of hindsight and softening reflection?

I tried to engineer this film to be as rich with color, sound and life as possible, the better to get around the fact that it's thirty minutes of people talking, but also to elevate the fact that probing into grief and death really means considering life and joy. This is where you quote Sophocles, because he always says things better than we can, doesn't he:

"Many have tried, but in vain, with joy to express the most joyful;
Here at last, in grave sadness, wholly I find it expressed."


I'm kind of glad I didn't happen upon these lines before making the film. I might have felt I didn't need to!

2. Latest Updates

A special thanks to Bucharest– we were in their Long Story Shorts International Film Festival, where we won Best Screenplay, and were also nominated for Best Short Film, Best Actress (Meagan), Best Actor (Ross), and Best Director. 

Over at the Bucharest ShortCut Cinefest, we were nominated for Best Actress (Eleanor).

Additionally, we played a shorts program of spiritual and philosophical short films at London's Dreamers of Dreams Int'l Film Festival, where we got nominated for Best Narrative Short. Here's an interview from there between myself and the wonderful Anya Patel (video, 13m).

3. On Boys

I've written and spoken at length about the female roles in this film elsewhere (here, and here and here, among others), and I'm grateful for the attention and accolades those roles have received. Let's talk about the boy role for a moment.

Every major role in MIT getting awards attention so far except Marty's is a little like everybody in The Irishman getting nominated except Robert DeNiro. The film doesn't work without him. Most great films about men, especially masculine men, interrogate or deconstruct masculinity, as they should; but this isn't a film about archetypal men, and I wasn't aiming for that approach with its male character. Our contemporary discourse has been invaluable in further illuminating how men shouldn't behave. Excellent. But what should they do instead, in the negative space which opens up? People like role models. After centuries of being told they're supposed to know everything, fix everything, and own everything, what is modern man supposed to look like?

This question is both harder and easier to answer than it seems. You can only bemoan the John Wayne archetype for so long before realizing the act of moving toward something positive becomes more useful than moving away from something negative. They're not the same thing.

"Let black men be soft," writes contemporary artist
Tatyana Fazlalizadeh, in an appeal to expand and make more sensitive the narrow definitions of manhood which dominate black American culture. Her encouraging of gentler sides hasn't exactly gone over unanimously, but that's precisely the sort of role model I wrote the Ashley character (played by Ross and Marty) in my film to be. As a character, he is an attempt to answer the above question, and the fact that I considered casting a woman in the role is probably telling. But it had to be Marty. He kills it. He positively beams out of every frame he's in.

It's not a political film. I don't get much out of casting generalizations along gender lines. It's a human film, and all this chatter is secondary. I bring it up only by way of emphasizing that sometimes the best qualities live in plain sight. He's doing things with that role which won't be appreciated until later.

Film Threat says of Marty: 


As Ashley, Martyn G. Krouse carries the bulk of the emotional load along with Eleanor Moseley as the older Emma.... Krouse plays it calm and focused, never resorting to an over-the-top ugly cry. I understood precisely the weight of what he was thinking and feeling.

UK Film Review writes: 

Finally, the cast play their parts to the nth degree as well, specifically Krouse and Moseley who are responsible for carrying the film's substantial emotional heft and do so with aplomb, while their younger counterparts also shine in giving the film its welcome sense of hope.

Thank you, actors, for making this film come alive in the way it does. Thank you, crew, for making everything glow. Check out the (updated) trailer below, and I hope to screen at another film festival near you soon!

More on our film here.
0 Comments



Leave a Reply.

    RSS Feed

    Subscribe

    Nathan


    -What is this blog? Check out the explanatory first post, or read the  front-page Seattle Times writeup here! 

    Here's a one-page crash course with links and highlights: Nathan Vass 101

    My Book is Finally Easy to Purchase!

    -For New Bus Drivers: Thoughts, Tips, and Stories
    -How to Drive the 7: The Complete Care Package

    Popular posts:

    Only have time for one story? Try these. 
    -The Day The Earth Stood Still
    -Le Park de Cal Anderson
    -
    21st Century Man
    -One Last Story (Video)
    ​
    -Everything You Ever Wanted to Know About the Great & Terrible 358
    -I'M A LIGHT-SKINNED BLACK WOMAN!
    -The Final Flurry: Index
    ​
    -Scroll down on this sidebar to "On the Street," below, for more highlights~

    Personal:
    -International Examiner Interview (Plus a word to my fellow Hapas!)
    -
    Full (Redmond) Circle (includes event gratitude writeup index)
    -Surviving the Social Desert: Nathan on High School
    -With What Time We Have
    -My Seattle
    -On Second Acts
    -Yves Klein, Color of the Heavens
    ​
    ​-Popular Posts from 2018, with Commentary
    -Nathan Vass, 2019 Washington State Book Award Finalist
    -Nathan on the Elliott Bay event: Parts I, II, and III
    -Seattle Magazine / Third & Cherry
    -Pretty Sure I Don't Deserve This
    -How I Live Now
    -Escaping the Overlords: Nathan on Comcast
    ​
    -I Am Now Ten Years Old
    -Confession
    -Flowers in a Pool of Blood: Thoughts From an American in Paris
    -Paris, One Year Later: A Personal Perspective
    -The Transgender Ban
    -Nathan on the Las Vegas shootings: On Terror & Other Things
    ​
    -The Birthday That Almost Never Happened
    ​
    -Nathan Takes a Day Off:
    Part 1 (See Nathan Run);
    Part 2 (Nathan Gets Excited); 
    Part 3 (Nathan Sounds Like Morgan Freeman)
    -Rad(iation) City
    -La La Land & What Los Angeles Means
    -Reparations
    -Names Nathan gets called! A list in three parts: 1, 2, 3
    -Where and How it All Began
    -How I Write the Posts, and Why
    -Chaleur Humaine
    -A Story
    -What Not to Say​
    -In Praise of Silver Hair
    -You're Been a Good Friend of Mine
    -...And a Splendid New Year!
    -Nathan Converses With His Colleagues: Parts 1, 2, 3, 4, 5, 6, 7, 8... and 65

    Political:
    -What's In a Number (Trump's legacy)
    -Praise Island (Biden's win)
    -The United States of Floyd
    -The Great Male Detoxification Project
    -The Day the Music Died
    -Kindness In the Days of After
    -Understanding Love & Hate During Trump Nation
    -More than Health, More than Money
    -Seattle, Center of the Modern Universe
    ​
    ​-What We Did, Today
    -This Story Has Nothing to do With Donald Trump
    -Don't Be Scared of My Friends, Part I
    -Don't Be Scared of My Friends, Part II
    -The Music Isn't Dead (Yet)
    -Nathan Actually Talks Politics, Pt III: Keeping the Music Alive
    -Pulling Our Weight, Part II: Addressing the Homeless Laziness Question
    -Getting Some Diversity Off My Chest
    ​
    -The Veterans
    -Islamofriendia
    -Be at Peace, Mr. Garner. We Will Love the World For You
    -The Streets Regard Ferguson
    -How do You Change the World? Thoughts on Violence
    -Cowboys of the New Age: Status & Respect in the American Ghetto
    -A Boy Named Hamza: Thoughts on Hate in Three Parts 
    -It Used to Sound Like This

    ​On film & art:
    -Trois Objets 1: on Michael Mann's Heat
    -Trois objets 2: On Antonello da Messina's Annunciate Virgin
    -Trois Objets 3: On East of Eden
    -On Laura's Book
    -Nathan on Seattle's Waterfront: Before and After
    ​-Nathan's Films of 2019: Top 2 Plus 23 Runners Up (photos, trailers, analysis & more)
    -Once Upon a Time... in Dreams: On Tarantino, Violence, and Transcendence
    -On Finishing Men I Trust
    -The Lie & How to See It: On Hate, Despair & Hope in Contemporary Film
    -
    Notre Thoughts
    -Addressing Despair: Nathan on First Reformed
    -How Evergreen Became Irrelevant
    -October 2018 show breakdown: all the deets 
    -On Color Darkrooms
    -The Non-Bailers: Thank You to the Cast & Crew of Men I Trust, Pt I
    -People I Trust: Thanks to My Cast and Crew, Pt 2
    -Nathan's Overlooked Films of 2016: Trailers, photos, analyses
    -A Bus Driver Reviews the New Bus Driver Movie! 
    -My Films
    -Song to Song and Malick: The Cutting Edge
    ​
    -Nathan on Wet Lab Prints
    -Kehinde Wiley: The Morning After
    -Nathan the Friendly Hermit, Part I: Nathan Gets Pasty
    -
    Nathan the Friendly Hermit, Part II: Pastier and Pastier
    -Birdman, (a) Film of the Decade
    -
    Gone Girl: Fidelity & Subjectivity
    -On Gravity and Identity
    ​-Primary Colors with Music: Andrea Arnold's American Honey
    -Sicario: Why Visuals Matter
    -The Martian: On Intelligence in Pop Culture
    -About Elly
    -Best films of 2015: Trailers, photos, analyses
    -Selected writings on films released in 2014, 2013, and 2012. 

    On the Street:
    -It's Complicated (on Rainier RapidRide)
    -Jessica Lee
    -Ah, Volume
    -Eulogy for the Damned
    -King Travis
    ​-The Great and Terrible Fifth & Jackson: An Ethnography
    The Veterinarian: A Story on Grief in 4 Parts
    -The Glow
    -Decent Street: Kendrick, Gender, Lingo, & the Good Man Problem
    -The Shake'N'Bake: Parts 1, 2, & 3
    -
    Pulling Our Weight, Part I
    -Pulling Our Weight, Part II: Addressing the Homeless Laziness Question
    -I've Been Sainted
    -Dominique The Mystique
    ​
    -Deserve, the Concept and the Song
    ​-Gangsta Phone Strategy, Deep Breaths & Kindness Rising
    -The Joy of Bus Driving
    -The Knife's Edge Dance
    ​
    -The Soulful Stench
    -"Everybody Need to Quit Acting Hard and S**t"
    -The Mother's Day Apocalypse
    -Ode to the 358
    -"I BET YOU APPROVE UH GAY MARRIAGE"
    -The Question
    -By Himself
    -Appreciation
    -Banter in the Nighttime
    -The Nathan Train
    -The Benevolent Roar
    -Truthfulness, the Final Currency
    -Love is in the Air
    -Surfing the Sparkling Wave
    ​-Saddest Music in the World​
    -Rainier & Henderson, Baby!
    -Sheeeeeeyyiitt: Strategies for Day or Night
    ​-AngryNice I (Love Through Frustration)
    AngryNice II: Tran Chimes In
    AngryNice III (We've All Felt It)
    -Love (Hurting From a Lack Thereof)
    -Hip to be Joyful
    -Future, Present, Past
    ​-Changing Awful
    -Harsh
    ​-The Nameless Heroes
    -The Break-Up
    -Tropic Of
    -Figuring it All Out in the Bullpen
    -Leaving Small Talk Behind
    ​-She Did It On a Monday
    ​-One Day, My Friend
    -I Am Now Two Years Old
    ​-The Harder Thing
    -Poker Face Practice
    -The Great Freeze

    For Bus Drivers!
    --How to Drive the 7: The Complete Care Package
    -
    -It's Called Working
    -
    -Bus Driver Appreciation Day: Coronavirus Style
    -The Swagger I Love: Thoughts on My Fellow Operators
    ​-A Love Letter for My Colleagues: Exercises and Stretches for Operators
    -What I've Learned From Other Bus Drivers
    -Rest in Peace, Breda Monster
    -I Don't Know What a Trolley is, Part I
    -I Don't Know What a Trolley is, Part II
    -Verbal

    Archives

    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • Blog
  • Book
  • On Cinema
    • Essays on Film
    • Top Film Lists & Reflections
    • On Terrence Malick
    • Nathan's Thesis
  • Photography
    • Death in Paris
    • Venizia
    • Napoli
    • Havana
    • Roma
    • Seoul
    • Milano
    • Shenzhen
    • Taipei
  • Men I Trust
  • About
  • Press
  • Speeches!
  • Upcoming Shows
  • Films